Christopher Hawthorne on what the latest iteration of this exhibition series reveals about the hall-of-mirrors cultural relationship between L.A. and Latin America.
While the idea that Los Angeles has no history is a crude caricature—one not infrequently sketched out by people who wish their own cities had a little more going on in the present day—it would certainly be fair to say that L.A. hasn’t always tended especially well to its past. READ MORE
Christopher Hawthorne on what the latest iteration of this exhibition series reveals about the hall-of-mirrors cultural relationship between L.A. and Latin America.
While the idea that Los Angeles has no history is a crude caricature—one not infrequently sketched out by people who wish their own cities had a little more going on in the present day—it would certainly be fair to say that L.A. hasn’t always tended especially well to its past. READ MORE
Christopher Hawthorne on what the latest iteration of this exhibition series reveals about the hall-of-mirrors cultural relationship between L.A. and Latin America.
While the idea that Los Angeles has no history is a crude caricature—one not infrequently sketched out by people who wish their own cities had a little more going on in the present day—it would certainly be fair to say that L.A. hasn’t always tended especially well to its past. READ MORE
Christopher Hawthorne on what the latest iteration of this exhibition series reveals about the hall-of-mirrors cultural relationship between L.A. and Latin America.
While the idea that Los Angeles has no history is a crude caricature—one not infrequently sketched out by people who wish their own cities had a little more going on in the present day—it would certainly be fair to say that L.A. hasn’t always tended especially well to its past. READ MORE
